Showing posts with label dry valley. Show all posts
Showing posts with label dry valley. Show all posts

Sunday, 27 March 2016

Itford Hill and Well Bottom on Easter Sunday



The rain is beating furiously against the windscreen of our Ford Focus. All three of the dogs are in the back and we are making our way north of Newhaven to the base of Itford Hill. It is a late-March day of sun punctuated by cloud and heavy rain and with a wicked Channel wind blowing strongly up the hill which looms above us. It seems to lean back with the wind as we view it from beneath in the car. The rain stops as we reach the YMCA and, as we walk away from the car park, the cloud is breaking to reveal blue sky. Jackdaws and herring gulls wheel above us, fighting against the wind.

View from Itford Hill: Ouse Valley villages of Southease, Rodmell, Swanborough and Kingston - and the "shining levels"


Itford Hill is a special place. As one climbs its meandering ox-bow path up to some tumuli which mark the end of the steepest climb (or the start of the steep descent, depending on one's bearing), and then to look across and down into the Ouse Valley, one can begin to understand why our Neolithic ancestors chose to bury their dead here and along the apex of the downs. Itford Hill is exposed on three sides and, on the plateau as one continues east beyond the tumuli, the vista is remarkable with Newhaven in its industrial splendour to the south, at its best when seen from a distance, and the Ouse Valley snaking its way north towards Lewes. The downland escarpment which forms the west bank of the valley offers a dramatic colour contrast to the surrounding land on any day. Up here on the east side, there is a quality to the light which makes one wonder whether it has been borrowed from the sea or from what John Wyatt once described as the shining levels, which lay low and genuflect and reflect before Itford, their reflected stillness a stark contrast to the fury of the wind up here. Whatever one's persuasion, the resting walker might stand here and wonder if their climb has brought them closer to heaven - perhaps similarly to our Neolithic forebears.

The three-sided aspect of Itford Hill exposes and seems to confuse or even overwhelm the senses which some people, myself once included, might describe as disturbingly awe-inspiring. I used to feel the heebie-jeebies walking up here years ago, until familiarity bred it out of me. Looking down on the ghostly space which once formed Asheham, I understand perhaps the same haunting sense of foreboding that the Woolfs admitted to during their time there. Some have questioned whether Asheham was itself haunted, but I believe the whole of Itford has a haunting quality about it; not so much a malign force as a perhaps an awesomeness which indelibly marks the imagination. It certainly is an inspiring place which leaves its mark upon the visitor, as it did to the Woolfs and their visitors to Asheham.

Standing on top, one could imagine this as a Bloomsbury landscape: Asheham was demolished in the summer of 1994 and had stood vacant and increasingly derelict for decades before, becoming more ghostly in the process, enveloped in choking dust from the cement works; but Monk's House can clearly be seen as one amongst the huddle of roofs in Rodmell in the middle distance and, as one traces in the opposite direction the spine of the downs eastwards along past Firle Beacon, there is a bostal, unseen from here, which leads down to Charleston Farmhouse. Further still to the east, the spire of Berwick church is not quite magnificent enough to reach as far heavenward as the crest of the Downs. I fancy that Virginia Woolf pushed her bike from Southease up Itford Hill on her way to visit Vanessa Bell at Charleston and would without doubt have stopped to catch her breath and enjoy the view somewhere close to where we are standing. I have no idea whether this is a route she ever chose, but to me it is the most dramatic and rewarding and obvious - in good weather. Surely, she must have?

The strong, strengthening south-westerly wind is gusting to more than forty miles an hour and it blows us onwards. Exposed to the elements on top, the sky has suddenly blackened to the south and, as we watch over our shoulders, a curtain of heavy rain is pushed by the wind across the Ouse Valley towards us. We prepare to shelter from horizontal rain in the gorse at White Lion Pond but, remarkably, the rain passes to the south and we remain dry.

Everywhere above us skylarks sing unseen. Occasional flocks of meadow pipits lift into the breeze and then parachute back onto the turf. We turn south past White Lion Pond and climb the stile which delivers us into Well Bottom, a dry valley which leads downhill from north-east to south-west in the direction of the parish of Tarring Neville, where one will find two farms with associated cottages, a chalk quarry and a 12th century church dedicated to St. Mary, where congregations have gathered for 800 years or more.

Well Bottom is a remote scrubby, wooded gash, steep-sided and flanked on both sides by the kinder terrain of pasture and arable fields. Like the myriad other dry valleys which define the South Downs, Well Bottom was shaped at the end of the last ice age when melt-water eroded the chalk down to the permafrost to produce steep-sided escarpments which have never seen the plough. It is likely that sheep and rabbits halted vegetational succession and maintained a short-cropped turf until about sixty or seventy years ago. Agricultural intensification, smaller grazing herds resulting from cheap imports from New Zealand, changes in land use and, from the 1950s, myxomatosis are among the probable reasons which led to the colonisation of Well Bottom by scrubby plants such as bramble, hawthorn, sloe and gorse. Five years ago the scrub had nearly choked all of the grass and mixed flowers away. Only a narrow mosaic of wild strawberry remained, but the Grizzled Skipper (Pyrgus malvae), which feeds on the plant, was hanging on in sufficient numbers to inspire a call to action. This was taken up by the South Downs National Park Ranger Jan Knowlson. Jan has overseen a remarkable and dramatic improvement in the valley since about 2012 or 2013. A huge clearance operation on an industrial scale has taken place each winter and much of the cleared land has begun to be recolonised by grasses and flowers, including wild strawberry and dotted in places with retained mature ash and sycamore. Parts which were impassable in 2011 are now fully accessible thanks to Jan and her volunteers. The transformation cannot be exaggerated and the moths, butterflies and other insects we record here each year are testament to the value of protecting unimproved chalk grassland from scrub encroachment.

As we descend into the valley we pass two magnificent mature Ash trees (Fraxinus excelsior). The first appears the smaller, but it has clearly been coppiced at some point in its early life, so it may be the same age as the larger tree just below it. The sun is out, but the valley is aligned with the south-westerly wind and therefore offers no protection. It is unlikely that we will see any butterflies. A sheltered, sunny spot in late-March might tempt out a Peacock (Aglais io) or Small Tortoiseshell (Aglais urticae) to bask on the ground, or a Brimstone (Gonepteryx rhamni) or Small White (Pieris rapae) might dance their way along the valley bottom. Today we must be satisfied with beetles, including lots of seven-spot ladybirds (Coccinella septempunctata), which we find basking amongst low-growing stinging nettles and a spangled carpet of ground ivy. Picking our way along we find a pile of decades-old glass: milk bottles and a R. Whites bottle with its metal lid screwed on tightly. As lads we used to hunt these and deliver them to the sweet shop for their deposits.

Looking down into Well Bottom from the top (taken May 2015)


Squares of bitumen felt have been laid out on the ground to survey the site for reptiles, but many of the squares have been blown around and folded over by the wind. I unfold and spread the wind-blown squares back out and weigh them down on their corners with a piece of flint. A stunning Common Lizard (Lacerta vivipara) rests beneath one of the squares. We watch it as it rests motionless for a moment before replacing the felt on the warmed soil. This is the first we have seen this year.

As we climb the western scarp to the gate we sit on the ground and take in the expanse of cleared land before us. A Fallow Deer (Dama dama) doe picks her way through the trees on the opposite side of the valley unseen by the dogs, but upwind of us, so we clip their leads on just in case. A minute or two later she emerges lower down along the valley bottom, leaps over some brambles and stops, alert, looking directly at us. We hope she is the first of more, but it appears that she is alone or the last of the herd to pass before us. She is back under cover within a few breaths and gone. We knew there were deer in the valley because we have found their roost and droppings in previous years, but this is the first sight we have made of a deer itself.

We have climbed out of the valley now, high above it and following the fence-line back towards the long plateau of Itford Hill. Two Common Buzzards (Buteo buteo) are taken by surprise as we approach downwind along a seldom walked but well-trodden sheep-poached track. We watch as they soar into the air and wrestle it under their control. They circle back towards us for a few moments to inspect our pack before gliding away into the distance.

A flock of white sheep have grazed their way across our path back down Itford Hill towards the foot-bridge, white and fluffy in a parody of the darkening skies to the south-west. We cut the corner and descend towards the path below, expecting the rain to lash us but, thankfully, this time it passes to our north and, as we stand and watch, Kingston and Lewes disappear into a rain haze under a leaden sky. The last of the milky sunlight is blown away from Itford and we hurry back to the car. The rain begins to beat down with force, but we are already in the car, dry and blessed, for a change, with the fortune of good timing.



Dingy Skippers (Erynnis tages) (left), Grizzled Skipper (Pyrgus malvae) (centre) and Burnet Companion (Euclidia glyphica) (right), taken May 2011



Red and Black Froghopper (Cercopis vulnerata), Sloe Bug (Dolycoris baccarum) and Corizus hyoscyami, taken May 2014

Hairy Dragonfly (Brachytron pratense), taken May 2011

Green-veined White (Pieris napi), taken April 2014

Thursday, 24 March 2016

The Walking Landscape

Walking is a pastime which I have always engaged in with great pleasure and, over the years, with a growing sense of mindfulness. Many a walker may agree that it is the easiest way to meditate: to root oneself in the moment by tuning into the sights, sounds and smells of the landscape and to appreciate its changes throughout a day or from one day to the next, or seasonally.

Walking is definitively human, or hominine. From the time several millions of years ago that Africa tore itself apart to form the Rift Valley, stranding our Australopithecine ancestors in an increasingly treeless landscape, walking became an essentially bipedal necessity of adaptation and natural selection. They thought and walked and somehow survived against overwhelming odds, developing an increasingly confident, upright gait as they did so. Before the invention of the wheel or the domestication of beasts of burden, everything was done with two feet in touch with the ground.

A mindful walker can find that through participating mindfully in any given moment, one can become a part of the living landscape and return to Mother Nature. Not only can one react to the things which stimulate one's senses; those things also react to your presence in a place: the persecuted Magpie is usually the first to take flight upon our approach, whereas the Robin may be of a roughly opposite persuasion. Insects evade capture as a shadow brushes past them. These are roles played out step by step in an unfolding drama.

I believe that walking, above all other modes of locomotion, roots the pedestrian within a landscape in a fluid, progressive state, regardless of an urban or rural setting. Many would agree that riding a horse or bicycle offers a similar sense of rootedness, but walking makes known an opportunity to give one's senses over completely to what is before and around you, more so than all other modes of transport, which require a part of the mind to be given over to driving. Spiritually, we follow a path. The destination is not as important as we might think it is - progress is made simply by following the path.

Walking offers an intimacy which weaves together the light, the sounds, smells, feelings and sights of the enveloping landscape into a sensual tapestry. There is an excitement in exposing oneself to the elements, to leave behind the convenience, the luxury and the safety of modern life and return to that primitive state. Walking is rhythmic, melodious. Walking inspires pure thought, clarity of mind, imagination and creativity.

I am no peripatetic philosopher. Most writers could present you with a more eloquent, articulate manifesto championing the benefits of walking over other means of locomotion. I am a wanderer who feels that walking, when it is possible to choose to walk, ignites something in one's imagination which is otherwise sleepwalking within or in a state of suspended animation during a journey by car or public transport. The vehicle accelerates its passengers, and isolates the commuter, taking away the possibility to join with the landscape and to contextualise the role one might play in the landscape as it speeds past in a long chain of lost opportunities.

Hilaire Belloc, in his 1906 work Hills and the Sea, expressed this feeling perfectly: "The pilgrim is humble and devout, and human and charitable, and ready to smile and admire; therefore he should comprehend the whole of his way, the people in it and the hills and the clouds, and the habits of the various cities. And as to the method of doing this, we may go bicycling (though that is a little flurried) or driving (though that is luxurious and dangerous, because it brings us constantly against servants and flattery); but the best way of all is on foot, where one is a man like any other man, with the sky above one, and the road beneath, and the world on every side, and time to see all".

Driving through a landscape we are, at best, only forming an abstract connection with it. We retreat into a part of our consciousness and often do not remember how we get from point to point, even though we have safely navigated past cyclists, through traffic signals, around roundabouts and stopped or slowed as necessity demanded. We may safely navigate a car across a landscape, but we are not really a part of it in the way we are on perhaps a bicycle or horse, but especially so on foot.

To intimately know a landscape changes the manner in which one passes through it. One might walk on or over an unfamiliar landscape, rather than in or amongst it. A familiar landscape shares its secrets. The Downs are my landscape; I know them and to walk upon them is like returning home. Walking into one's home is to return to familiar, beloved surroundings. The Downland landscape is my home and my companion which allows me into its welcoming embrace. One is enveloped into its folds and combes and dry valleys, and then the landscape unfolds with the progression of each footfall and its secrets are revealed.

A voice whispers in the ear of the familiar walker: "Welcome back, friend. Come, walk with me and I will share with you my secrets". And everywhere then you share the joy of nature, such as in watching Small Tortoiseshell butterflies basking in the March sun by their rabbit-hole hibernaculum; a joy punctuated by the pain of tragic, brutal lives cut short when a dead fox or rabbit or pheasant is revealed before it has met the gaze of the crow or magpie or, increasingly, the red kite.

For a time, whether it may be for the duration of a single walk or for a lifetime, I am a part of this landscape, as it is at all times a part of my inner landscape. That landscape is changed because of my presence within it and, returning home to the place where I have put down my roots, I too am changed, always for the better.


The downland landscape from Swanborough towards Firle (© Steven Teale)